Allan Kirk

Get a 6 page analysis of your personality from your handwriting for NZ$95 (US$70)

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Male or female, we reveal the secrets of our character whenever we put a pen to paper and write something.

 

In my analysis, I can tell you:

• How fiery a lover you are.
• Whether you live your life on a materialistic, spiritual, or day-to-day perspective.
• How close you get to people.
• How organised you are.
• Whether you are a defiant, reliant, or compliant person.
• How clear a thinker you are.
• Whether you are an optimistic, pessimistic or neutral person.
• The degree you are affected by your emotions.
• And much, much more.

It was claimed, when computers started becoming popular, that they would make handwriting superfluous.

Yet time has shown that man still needs a pen or pencil and paper. Graphology will never go out-of-date.

It makes no difference to the graphologist whether the writer is left or right handed. The graphology indicators remain the same.

Welcome 

JUST as the artist paints a portrait of a person onto a canvas, so the writer paints a portrait of himself with his handwriting.

We are all born with a deep need to communicate - to share our thoughts, our feelings, our experiences with others. The way we speak, the way we dress, even our most subtle changes of facial expression are all a means of telling the world who and what we are.

So too, every time we write something we are registering a pen picture of our personality. If you could set down your writing in a continuous line, from your first schoolboyish scribble to that stylized hand you write now, you could define how your character has grown and changed from childhood to adulthood.

Just as a slice of a log tells in the concentric rings how the weather helped or retarded the growth of the tree, so the story of the development of your character from year to year would be seen in the script.

Because writing is a subconscious skill, it is difficult to hide personality from a graphologist, even though many of us have thoughts and emotions which we may wish to keep secret from our fellow men.

But to the trained observer, these hidden feelings are revealed by certain signs. While the psychiatrist senses the undercurrents in a person's make-up and is usually adept in spotting small clues which enable him to evaluate the patient on a level not revealed on the surface, the graphologist can do the same. But the graphologist has one advantage over others: the handwriting yields a vivid picture of the subject without the subject being present in the flesh or without the subject being asked to speak a single word.

To gain a true picture of a person, the graphologist has to isolate the special features in the handwriting, take the many results, assess the weight of each feature, and then weave it all together into a vivid picture of the writer's personality.

The graphologist can discover traits and talents the writer may never have suspected existed. For example, graphological guru Allan Kirk once analysed, for a grandfather, the granddaughter's handwriting. In the resultant analysis, Mr Kirk pointed out that the young lady had musical talent that should be encouraged.

That young lady is now singing on Broadway.

When you have your own handwriting analysed you will discover potentials within yourself of which you were hitherto unaware, or personality traits which you may wish to eliminate or maybe strengthen.

The graphologist is helped in his analysis by the fact that no two handwritings are exactly alike, just as no two people are exactly alike.

But, while the handwriting may tell the graphologist a great deal about the make-up of a person, but there are two things it does not reveal. No graphological analysis will reveal with absolute certainty the sex of the writer. In all of us there are both masculine and feminine components which often have nothing to do with physiology.

The extreme cases are the men whom we consider effeminate, or the women whose manner and dress cause them to be regarded as masculine.

So, in analysing handwriting, the graphologist is somewhat in the dark on that score. So the graphologist must be told the sex of the writer. Even the expert could be mistaken.

Handwriting does not show a person's age either. What it does reveal are signs of maturity - or the lack of it. We all know people of mature years who have not grown up emotionally. Such as the hard-boiled business executive who makes practical and astute decisions on issues involving large sums of money yet, when his emotions become involved, acts like a little boy.

Then there is the youth of fifteen who possess more poise and sense of responsibility than the man of forty-five who drinks and gambles his money away.

Signs in the writing that people think indicate age in the writer can be misleading. Most people think that old age will usually be revealed by handwriting that is tremulous with wavering strokes. But the aged are not the only people who write in such a way. A person under great tension, or a chronic drinker may also write like that.

Then again, there are many elderly people whose handwriting shows steadiness, animation and enthusiasm.

Thus, it is important that the graphologist knows the chronological age of the writer before he prepares his analysis.

The ideal sample of writing is two pages of writing or one whole page at the very least. It must be on unlined paper and written with the writer's usual pen.

With this, the graphologist can unearth the secrets.
- The bright, cheerful man or woman who radiates charm and good humour may sometimes be hiding morbid or destructive thoughts.
- A person with special, hitherto undiscovered talents.
- An obviously disturbed person who may need urgent help.
- A person who has heart disease.
- A latent genius, undiscovered but with huge potential.

These and many, many more secrets can be unearthed from your writing.

Graphology. The doorway to self-knowledge.

The Graphology Guru